Title of Work: Digital Alchemy
EXCERPT FROM ARTWORK
Visuals: Maura McDonnell
Music: Cobi van Tonder
Year Made: 2018
Maura McDonnell - Abstract Digital Film & Visual Music
Visual Music Expression
How I came to the field of Abstract Film and Visual Music
I have been creating abstract film art works since 1997, when I did my Masters in Music and Media Technology and I learned how to work with digital video and audio effects, computer programming and all kinds of digital art wizardry. I went onto teach on this Masters Programme and I still teach on it over twenty years later. I have a half post in an Assistant Professor Capacity and I teach modules on Visual Music and supervise student thesis projects on visual music related fields and audiovisual composition.
Visual Music Archive
I conducted informal research and started an archive of practices in 2005
Visit my visual music archive at my Visual Music Blog
Visit my Visual Music Blog
I completed my PhD on Visual Music at Trinity College, Dublin, Ireland in 2019. The title of my PhD is: "Finding Visual Music in its Twentieth Century History" and it is available to preview at the Trinity College Access to Research Archive.
Visit my PhD at TARA (Trinity Access to Research Archive)
My PhD Thesis Summary - Maura McDonnell
"Visual fine art and music are typically considered to be separate disciplines and separate art forms. This, however, is not the case for visual music. Visual music straddles both visual art and music. Visual music has come to prominence in both contemporary arts practice activity and research, but it evolved out of a series of historical developments by artists, theorists and commentators who explored forms of an integrated art of music and visual art through the invention, application and/ or use of science, theories of colour, technology, painting, cinema, video, music technology and early digital computers. This thesis examines visual music in its 20th century history, taking into consideration important precursors to visual music in the colour-tone analogies and experiments in natural science of the eighteenth century, the ensuing birth of the colour organ and colour music tradition of the eighteenth and nineteenth centuries and that continues on in the twentieth century to today, as one vein of visual music, in the real-time performance of colour, light and video in music performance works. The development of abstract art and absolute film of the late nineteenth and early twentieth centuries also played a significant role in the evolution of visual music, so much so that certain trends within visual music today are not entirely understandable without reference to this particular historical period of art and film. Development in music in the twentieth century likewise had a major impact on the shape of the content of much visual music, not only in terms of atonal music compositions but also in the particular efforts in creating musique concrète (Pierre Schaeffer et al.), for the purpose of television broadcasting. In a very important yet much overlooked respect, this thesis argues that visual music concrète is one way in which many composers (including the author of this thesis) has generated visual music. The author has engaged in arts practice in the field of visual music and has contributed to the field since 1997. Her entry into visual music came from the perspective of music and music technology. The motivation for this research was to place the author s early visual music arts practice work in an art-historical context of the evolution of a visual music art in the twentieth century. The thesis has found that artworks described as visual music have two main characteristics that denotes its visual music status. The content of an art work can be a form of visible music in terms of the mathematical basis of vibratory phenomenon and its resultant visual patterns. Or, the visual music is a form of artistic expression that comprises an artist s desire to work with a relation between visual and music in the gathering together of the means, forms, conceptions of both visual art and music and related technologies and creating art works. The research relates some exciting discoveries, such as the experimental television work of the musique concrète composers and the television studios in France in the 1960s and their collaborative films and the innovative data approaches to a shared expression of visual and music in the Global Visual Music Project at the end of the twentieth century."
Source: PhD Thesis - Maura McDonnell (2019/2020)
Teaching Visual Music
A visual music artwork is incredibly exciting to make as its designed and crafted to emulate music expression. I also continue to research on the field of visual music and lecture a course on visual music to students attending the M.Phil in Music and Media Technologies at Trinity College, Dublin and I have been very proud and honoured to see so many talented people engage both with music and with visual music and audiovisual art and to continue to find their own forms of artistic expression and creative use of technology.
Visit my Academic Page at Trinity College Dublin
Visual Music Works for Art Settings
My abstract film artworks are really flexible and work for a variety of art culture settings - such as in a new music concert, a film screening or an art installation but equally work wonderfully in commercial or healthcare settings - anywhere that you want to project a multi-sensory experience of beautiful moving images and sounds. Of course, all films have been subject to my riotous colour treatment. In these films I want to immerse you in beautiful colours and forms that will wrap you into a gorgeous experience.
Visit my contact page if you would like to get in touch Contact Page.